January Concerts in Oslo, Berlin and Bern

The Liz is back at it again. The power trio Korhan co-founded with Liz Allbee and Liz Kosack returned to performing with a new piece after being busy with other projects since their last performance in May 2017. The teaser for this new project was presented at Donau115 in Berlin in December, where The Liz also talked about gender in jazz and experimental music on a panel with composer/pianist Julia Hülsmann. The Liz will premiere the piece at the All Ears Festival in Oslo on January 11 and will perform it again at WIM Festival Bern at the Dampfzentrale on January 25.

For the past few weeks, Korhan Erel has been busy designing sounds, composing music and developing a live performance interface for Léonard Engel’s solo dance piece “Pavane”, which will debut at the Tanztage 2019 at Berlin’s Sophiensaele on January 13 and 14. Please follow this link for more information.

Korhan will play as a member of Berlin’s seriously ridiculous/ridiculously serious improvisation outfit Klub Demboh on January 21 at the SurfF Festival at Petersburg Art Space in Berlin.

 

 

 

 

About Korhan Erel

Korhan Erel is a computer musician, improviser, sound designer based in Berlin. He plays instruments he designs on a computer by employing various controllers. He also uses analog and digital electronics. He is a founding member of Islak Köpek, Turkey’s pioneer free improvisation group, which is regarded as the band that started the free improvisation scene in Turkey. He composes and designs sounds for dance, theater, installations and film. He collaborates with dancers, video artists and spoken word artists. Korhan’s collaboration with Sydney-based video artist Fabian Astore “The Threshold” has won the Blake Prize in Australia in 2012. Korhan’s computer performance system is called Omnibus. The instruments within Omnibus are a culmination of Korhan’s musical past and aesthetic choices. Omnibus instruments use concrete sounds (samples, field recordings), morphed and processed in realtime. They can be as simple as one single sample being played using a Nintendo Wii controller to a complex system that employs granular synthesis and spectral processing. The instruments are played interactively using Nintendo Wii controllers (Korhan’s choice of controller when he plays in ensembles with acoustic/electric instrument players), an iPad (used in solo/duo performances as well as ensemble concerts) and several midi controllers. No matter what technology he uses, Korhan always stays focused on the outcome and musicality rather than processes. Korhan is the co-curator (with Nicola Hein) of UnStumm, a project that brings video artists and musicians from Germany and one other country for audiovisual improvised collaboration. Korhan has had three residencies at STEIM (Center for research & development of instruments & tools for performers) in Amsterdam, where he studied use of sensors in music performance and instrument design. He was a guest composer at the Electronic Music Studios in Stockholm in January 2011. Korhan has seven CD releases on Gruenrekorder (Germany), Creative Sources Records (Portugal), Evil Rabbit Records (Netherlands/Germany), A.K. Müzik (Turkey) and Kukuruku Recordings (Greece) as well as several netlabel releases. He performs regularly in Europe and in the Middle East as a solo artist as well as with his projects in Germany and Holland.
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