2003-2009

2009

December 7 / Wall of Sound – Korhan Erel (electronics, computer), Ilknur Ayışık (visuals), Sumru Ağıryürüyen & Pınar Erdoğdu (vocals, spoken word) @ Babylon Lounge, Istanbul

December 5 / Michel Doneda (sax), Jonas Kocher (accordion), Korhan Erel (computer, controllers) @ Notre Dame de Sion Concert Hall, Istanbul (organized by the French Cultural Center)

November 13 / Wall of Sound – Korhan Erel (electronics, computer), Ilknur Ayışık (visuals), Sumru Ağıryürüyen & Pınar Erdoğdu (vocals, spoken word) @ Gitar Cafe, Istanbul

November 11 / Islak Köpek @ Kadırga Culture Center,  Istanbul
September 3 / Islak Köpek @ Kadırga Culture Center, Istanbul
These concerts were a part of European Capital of Culture 2010

June 5 /Dario Fariello (soprano sax), Korhan Erel (computer, controllers) @ DeFORM, Istanbul

June 3 / Wall of Sound – Korhan Erel (electronics, computer), Ilknur Ayışık (visuals) @ Gitar Cafe, Istanbul

May 28 / OUKF – Oğuz Büyükberber (clarinets), Umut Çağlar (processed guitar), Korhan Erel (computer, controllers), Florent Merlet (drums) @ Gitar Cafe, Istanbul

April 2 / OUKF – Oğuz Büyükberber (clarinets), Umut Çağlar (processed guitar), Korhan Erel (computer, controllers), Florent Merlet (drums) @ Dogzstar, Istanbul

March 27 / Wall of Sound – Korhan Erel (electronics, computer), Ilknur Ayışık (visuals) @ DeFORM, Istanbul

Islak Köpek had many performances in Istanbul during 2009.

2008

December 7 / Korhan Erel (computer, controllers) with Nora Volkova Ensemble @ Potsdam

November 20 / Islak Köpek @ Pera Festival, Galataperform, Istanbul

December 3 / Elektronik Kumpanya @ garajistanbul, Istanbul
November 18 / Elektronik Kumpanya @ Galataperform, Istanbul

Elektronik Kumpanya was a project that reinterpreted Turkish classical music works from 14th– 19th centuries with alternative instrumentation, visuals and electronics: Ayşenur Ergen (vocals), Volkan Ergen (percussion), Arslan Hazreti (kamancha), Mustafa Gencer  (tanbur), Hüseyin Sarısaltıkoğlu (guitar), Şevket Akıncı (electric guitar), Korhan Erel (computer, live processing)

November 4 / Richard Nunns (Maori instruments), Islak Köpek @ MIAM Concert Hall, Istanbul

October 22 / Tolga Tüzün (piano), Oğuz Büyükberber (Bb clarinet, bass clarinet), Korhan Erel (computer, electronics) @ Naima Jazz Club, Istanbul

September 23 / Islak Köpek @ MIAM, Istanbul

July 26 / Korhan Erel (computer, electronics), Dario Fariello (sax), Giray Gürkal (electric guitar), Utku Tavil (drums) @ Naima Jazz Club, Istanbul

Many concerts with Islak Köpek in Istanbul during 2008.

2007

December 13, 2007 / Elektronik Kumpanya @ garajistanbul, Istanbul

November 17, 2007 / Daisy Bolter (voice), Islak Köpek @ AMBER Festival Closing Event, garajistanbul, Istanbul

March 16, 2007 / Islak Köpek @ The Triangle Project, The Hall, Istanbul
This project was a parallel event of the Istanbul Biennial

June 23, 2006 / Le Quan Ninh (perc), Kirstie Simson, Yanael Plumet, Talin Büyükkürciyan (dance), Islak Köpek @ Transit Improvisation Days, Darphane-i Amire (Topkapi Palace), Istanbul

October 24, 2006 / Islak Köpek @ Akbank Jazz Festival, Aksanat, Istanbul

June 2005 – 2007 / Islak Köpek played many concerts in Istanbul, primarily at Galata Perform.

2005-2006 / Mugwump – Tanya Evanson (spoken word, vocals), Korhan Erel (sound design, compositions, drum programming, live voice processing), Şevket Akıncı (compositions, arrangements, electric guitar, effects) @ several venues in Istanbul.

Mugwump was perhaps the first audio-visual spoken word performance in Turkey that involved compositions, improvisation, live voice processing and live visuals. It was greeted with a lot of interest from audiences as well as the press.

May 17, 2003 / Korhan Erel (samplers, drum machines, effects, mixer), Erdem Helvacıoğlu (guitar, effects, drum machines, sound design), Esin Uslu (voice) @ Essl Sammlung, Vienna

March 20, 2003 / Korhan Erel (samplers, drum machines, effects, mixer), Erdem Helvacıoğlu (guitar, effects, drum machines, sound design) @ 1st Electronic Music Festival, Roxy, Istanbul
Italian music critic Francesco Martinelli covered this festival for The Wire and mentioned this performance as one of the three noteworthy performances of the festival.