Concerts in Germany: Soundtrips, Lettow/Erel/Erol, Honsinger/Fariello/Erel/İleri

Soundtrips

This November, Korhan Erel will be playing six concerts with cellist/bandmate Gülşah Erol in the Soundtrips concert series curated by Simon Camatta, Gunda Gottschalk, Erhard Hirt, Paul Hubweber, Carl Ludwig Hübsch, and Martin Blume. In each concert, there will be guest musicians joining the duo.

November 1 / Bochum – Kunstmuseum, Kortumstr. 147 with Martin Blume on drums
November 2 / Wuppertal – Ort, Luisenstr. 116 with Joana Sá on piano, Martin Theurer on piano and Fabian Jung on drums
November 3 / Witten – Haus Witten, Ruhrstraße with Joana Sá on piano
November 4 / Münster – Black Box im cuba, Achtermannstr. 12 with Erhard Hirt on guitar & electronics and Martin Theurer on piano
November 5 / Aachen – Raststätte, Lothringerstraße 23 with Paul Lytton on percussion
November 6 / Köln – Atelier Dürrenfeld Geitel, Körnerstr. 71 with Matthias Muche on trombone and Simon Camatta on drums

Gunnar Lettow and Korhan Erel with Gülşah Erol

Following Soundtrips, Erel and Erol will play three concerts with Gunnar Lettow, Hamburg-based prepared e-bass player. These concerts will be an extended trio version of the Lettow / Erel duo that started in 2011. Previously Lettow and Erel played concerts in Istanbul, Hamburg, Hannover and Berlin.

Gunnar Lettow (prepared bass and objects), Korhan Erel (computer and controllers), Gülşah Erol (cello)

November 8 / Oberdeck, Königsworther Str. 20, Hannover
November 9 / Frequenzgänge – KUNST-NAH Galerie + Café, Große Bergstraße 160, Hamburg
November 10 / Quiet Cue, Flughafenstraße 38, Neukölln, Berlin

Tristan Honsinger, Dario Fariello, Korhan Erel

The last concert of Erel’s tour in Germany will be with cellist Tristan Honsinger and sax player Dario Fariello. Fariello and Erel had collaborated in diverse settings in Istanbul in the past. This will be a reunion after a three-year break.

November 11 / with Tristan Honsinger (cello), Dario Fariello (saxes), Eren İleri (electronics) @ ZEITZone, Berlin

  • Tristan Honsinger, Korhan Erel duo
  • Dario Fariello, Eren İleri, Korhan Erel trio
  • Other possible duos and trios with Multiversal musicians (TBA)
  • Ensemble
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Serra Yılmaz & Islak Köpek @ Akbank Jazz Festival

Serra Yılmaz (photo by Cem Talu)

Korhan Erel’s free improvisation ensemble Islak Köpek continues their collaboration with actress Serra Yılmaz with a concert in the Akbank Jazz Festival, which is Turkey’s most progressive music festival organized by Pozitif. The collaboration between Yılmaz and Islak Köpek is founded on free reading and improvisation, where sonic textures and deconstruction of poetry are in ceaseless transmutation.

Serra Yılmaz and Islak Köpek had their first performance in October, 2011 at Gitar Cafe with the participation of trombonist Wolter Wierbos. Their second performance was in the form of a workshop on poetry and improvisation at the Borusan Music House in Istanbul in February 2012.

The sold-out concert will be at Aksanat, Akbank’s center of arts and music on Pera’s Istiklal Street, the bustling epicenter of culture and entertainment in Istanbul. It will start at 7pm.

Serra Yılmaz, spoken word
Şevket Akıncı, acoustic guitar, zither
Korhan Erel, computer, controllers
Gülşah Erol, cello
Giray Gürkal, electric guitar, effects
Robert Reigle, tenor saxophone
Volkan Terzioğlu, tenor saxophone

 

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NYC Jazz Record reviews the latest Mark A. Lotz & Islak Köpek album

The October issue of New York City Jazz Record has a very good review of the Mark Lotz & Islak Köpek album Istanbul Improv Sessions May 4th by Tom Greenland.

Berlin-born, Den Haag-based flutist Mark Alban Lotz is a globetrotting musician whose latest project, Istanbul Improv Sessions May 4th, was recorded in the Turkish capital with Islak Köpek, a local quintet of guitarist Sevket Akinci, cellist Kevin W. Davis, laptop and controllers player Korhan Erel and saxophonists Robert Reigle and Volkan Terzioglu. A disciplined outing, the group eschews skronky bombast for tesselated textures and sustained group ‘chords’ in a variety of settings, all featuring Lotz on various flutes, some prepared and/or processed. Erel’s samples – a mix of animal calls, natural elements, odd metallophones and robotic twitters – never dominate the soundscape, blending seamlessly with the husky, sputtering saxes, scratchy cello and spitting flute for a satisfying balance, impeccably recorded.

The album was recorded during Mark’s visit in Istanbul in May, 2010. It was released a year later on Evil Rabbit Records. Mark and Islak Köpek played a concert in Istanbul in November 2011 at the Borusan Music House. Mark and I started a duo after the album recording, inspired by the flow of four duos we have on this album, and played shows in Utrecht, Amsterdam and Haarlem in 2011 with guest musicians Wolter Wierbos, Eric Boeren, and Guillaume Heurebitze.

The New York City Jazz Record website, where current and past issues of the publication can be downloaded for free, is here: http://www.nycjazzrecord.com/

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DJ TechTools article on QuNeo, featuring Korhan Erel

This month, DJ TechTools published an article on the Kickstarter campaign that resulted in the QuNeo, the new controller by Keith McMillen Instruments (KMI). Kylee Swenson, the author of the article, was kind enough to include me in it.

QuNeo is the next product in KMI’s new generation of MIDI controllers that add multiple control functionality to single control elements. It is designed very similarly to conventional drum pad controllers, but the pads have velocity, pressure and X/Y pad functionality. Furthermore, it features pressure-sensitive faders, rotary controllers, buttons and supports (in future updates) OSC and a high-resolution sensor output mode that allows users to benefit from the hi-res output of QuNeo’s high quality sensors.

Creating DJ Hardware With Kickstarter: The Right Move For KMI’s QuNeo?

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Korhan Erel's avatarKorhan Erel

Jürg Solothurnmann, the Swiss saxophonist, music writer, ethnomusicologist and lecturer, will be visiting Istanbul and playing a series of concerts with Istanbul-based improvisers. I will be playing with him and other musicians in the last one of his three performances. The concert will be at Gitar Cafe on September 20 (9.00pm) and will feature the following musicians:

Jürg Solothurnmann, soprano and alto sax
Jun Kawasaki, double bass
Özlem Kaya, violin
Korhan Erel, computer, controllers
David Brosset, voice

His two other concerts are:

@Dunia, Kadıköy on September 18

Sumru Ağıryürüyen (voice)
Murat Çopur (electric bass)
Cihan Gülbudak (Theremin)
Cansun Küçüktürk (electric guitar)
Florent Merlet (drums)
Barıştık Mı (trumpet, voice)
Jürg Solothurnmann (ss, as)

@Shaft, Istanbul on September 19

with Konstrukt

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Viewpoint: Sumru Ağıryürüyen, Korhan Erel, Giray Gürkal @ Gitar Cafe, Oct. 18

Sumru Ağıryürüyen (voice), Korhan Erel (computer, controllers), Giray Gürkal (electric guitar, effects) will present an evening of solo, duo and trio improvisations at Gitar Cafe, where they will attempt to look at music and each other from different viewpoints. The cat, in the meanwhile, will simply keep on sleeping on her plastic bag.

Gitar Cafe, October 18, 2012, 9.00pm

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Concert with Jürg Solothurnmann and friends @ Gitar Cafe, Istanbul, September 20

Jürg Solothurnmann, the Swiss saxophonist, music writer, ethnomusicologist and lecturer, will be visiting Istanbul and playing a series of concerts with Istanbul-based improvisers. I will be playing with him and other musicians in the last one of his three performances. The concert will be at Gitar Cafe on September 20 (9.00pm) and will feature the following musicians:

Jürg Solothurnmann, soprano and alto sax
Jun Kawasaki, double bass
Özlem Kaya, violin
Korhan Erel, computer, controllers
David Brosset, voice

His two other concerts are:

@Dunia, Kadıköy on September 18

Sumru Ağıryürüyen (voice)
Murat Çopur (electric bass)
Cihan Gülbudak (Theremin)
Cansun Küçüktürk (electric guitar)
Florent Merlet (drums)
Barıştık Mı (trumpet, voice)
Jürg Solothurnmann (ss, as)

@Shaft, Istanbul on September 19

with Konstrukt

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John Eyles Review of Three States of Freedom

Allaboutjazz.com writer John Eyles‘ review of Three States of Freedom published on August 10, 2012:

Eddie Prevost‘s improvisation workshop has been meeting weekly in London since 1999, with several hundred participants having attended. In that time, some of its long-standing participants, such as saxophonist Seymour Wright, guitarist Ross Lambert and pianist Sebastian Lexer, have built up considerable performance histories and discographies.

Lately, there has been an increasing trickle of releases from newer workshop participants such as guitarist James O’Sullivan, French pianist Marjolaine Charbin and Greek zither player Dimitra Lazaridou-Chatzigoga. To that list, we can now add Israeli saxophonist Tom Soloveitzik, who attended the workshop while he was studying at the London College of Communication, only stopping when he went back to Israel at the end of 2011.

Three States of Freedom was recorded in Jaffa in June 2010 during a tour of Israel by the trio of Soloveitzik plus American-born cellist Kevin Davis and, on computer and controllers, Korhan Erel, of Turkish free improvising group Islak Köpek. Soloveitzik had met and played with the other two when he visited Istanbul in October 2009, a meeting that led to the tour and this recording. Given the diverse nature of their instruments, the three work well together as a trio. None of them hogs the limelight, all three seemingly more focused on the overall ensemble sound, with each occasionally rising to the surface, supported by the others.

At his workshop, Prevost always emphasizes to participants the importance of listening to those they play with and of exploring what their own instruments can do. On the evidence of all seven improvisations here, all three members of the trio have heeded those instructions but none more so than Soloveitzik; he hardly ever plays like a jazz player, instead using his instruments to produce whatever sound is most appropriate at a particular moment. As on “Chamesh,” this can involve sustaining a single note to underpin the playing of his colleagues or interjecting the occasional single staccato note to punctuate proceedings. At other times, he will strike the bell of his saxophone with metal objects to produce percussive sounds. Such invention and variety are also displayed by both Davis and Erel, ensuring that Three States of Freedom has plenty to reveal to those who return to it frequently.”

Three States of Freedom is distributed by Metamkine in Europe and Klompfoot (formerly Cadence) in North America.  It is available for sale on Amazon, Squidco and Creative Sources. You can listen to the sixth track, Arbah, below.

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Review of Tolga Tüzün / Korhan Erel concert by Alexandra Ivanoff

A chance discovery of a review by Istanbul-based music critic Alexandra Ivanoff of the concert with pianist / composer Tolga Tüzün at Borusan Music House, Istanbul on January 13, 2012:

Tüzün and Erel’s voyage

On Jan. 13, two Turkish musicians, pianist Tolga Tüzün and electronic composer Korhan Erel, virtually continued the journey for us at Borusan Music House. Their program, “Satırarası” (Between the Lines), was not directly connected to the Esbjerg Ensemble’s program, but it seemed to pick up where the Danish group left off. They ventured into another cosmos with a totally improvised hour-long soundscape that, on one hand, felt like organized chaos, but on the other, an exquisite, unpredictable voyage that defied description. We needed to forget any expectation of formulas we knew and just go with the flow. It was the stuff of dreams — both nightmares and blissful visions — and definitely an extension of present musical reality and a suspension of time and space.”

This concert was a signal of the release of our album Superimposed Circumstances which is available as an electronic download on many online music stores including iTunes, Amazon, CDBaby, etc.

The article, dated January 16, 2012, focuses mainly on the fantastic performance of the Esbjerg Ensemble’s performance and can be read in its entirety here: http://www.todayszaman.com/news-268752-esbjerg-ensemble-shines-at-istanbul-performance.html

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Summer Pause, New Duo, Upcoming Concerts in 2012

With the concert at Dunia, Istanbul of Tanya Kalmanovitch (viola) / Korhan Erel (computer, controllers) duo concert with guests Jessika Kenney (voice), Eyvind Kang (viola) and Özlem Kaya (violin), I will be playing no concerts until the end of summer (mid-September), except for a guest appearance on July 28th with YAAT (Gökçen Dilek Acay, Utku Tavil and Sigurd Ytre-Arne) again at Dunia.

The duo concert with Tanya featured three new compositions of ours, Skype, ev // home, and B, as well as an interpretation of Christian Wolff’s 2nd Exercise. All of these are works in progress, but promise to turn into exciting pieces. Tanya and I will develop this duo into an exciting blend of compositions and structured improvisations around narratives and themes.

Upcoming concerts in 2012 include Akbank Jazz Festival in October with Serra Yılmaz and Islak Köpek, 7 concerts on Soundtrips in October in Germany with Gülşah Erol and many great improvisers, 2-3 concerts with Gunnar Lettow and Gülşah Erol in Hamburg, Hannover and Berlin, an audiovisual collaboration with Burcu Yağcıoğlu in Essen and a John Cage tribute concert at Borusan Müzik Evi, Istanbul, in December.

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