Six concerts on May 21, 22, 24, 26, 27 and 28 in Berlin

In his busiest month in Berlin ever, Korhan Erel has six concerts in the last 10 days of the month with very exciting musicians and friends.

May 21 / Ross Feller (saxophone), Klaus Kürvers (double bass), Meinrad Kneer (double bass), Richard Scott (analog synth), Korhan Erel (computer controllers) at Ma Thilda, Berlin

May 22 / ‘Animal Music’ book launch concert: David Rothenberg (clarinets, electronics), Lasse-Marc Riek (soundscapes), Elliot Sharp (guitar) and Korhan Erel (computer, controllers) at Cafe Jää-äär, Berlin

May 24 / Audrey Chen (voice, cello), Chris Heenan (alto sax, contrabass clarinet), Korhan Erel (computer, controllers) with guest Dirk Stromberg on ‘Strombophone’ at Miss Hecker, Berlin, 20:30

May 26 / Elisabetta Lanfredini (voice), Nicolas Wiese (electronics), Utku Tavil (drums), Korhan Erel (computer, controllers) at XB Liebig, Berlin, 21:00

May 27 / Elisabetta Lanfredini (voice), Uygur Vural (cello), Korhan Erel (computer, controllers) with Axel Dörner as guest at Donau115, Berlin, 20:30

May 28 / “Is Paradise Cheaper?” A lecture-sound performance with Göksu Kunak at alpha nova kulturwerkstatt, Berlin, 19:00

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About Korhan Erel

Korhan Erel is a computer musician, improviser, sound designer based in Berlin. He plays instruments he designs on a computer by employing various controllers. He also uses analog and digital electronics. He is a founding member of Islak Köpek, Turkey’s pioneer free improvisation group, which is regarded as the band that started the free improvisation scene in Turkey. He composes and designs sounds for dance, theater, installations and film. He collaborates with dancers, video artists and spoken word artists. Korhan’s collaboration with Sydney-based video artist Fabian Astore “The Threshold” has won the Blake Prize in Australia in 2012. Korhan’s computer performance system is called Omnibus. The instruments within Omnibus are a culmination of Korhan’s musical past and aesthetic choices. Omnibus instruments use concrete sounds (samples, field recordings), morphed and processed in realtime. They can be as simple as one single sample being played using a Nintendo Wii controller to a complex system that employs granular synthesis and spectral processing. The instruments are played interactively using Nintendo Wii controllers (Korhan’s choice of controller when he plays in ensembles with acoustic/electric instrument players), an iPad (used in solo/duo performances as well as ensemble concerts) and several midi controllers. No matter what technology he uses, Korhan always stays focused on the outcome and musicality rather than processes. Korhan is the co-curator (with Nicola Hein) of UnStumm, a project that brings video artists and musicians from Germany and one other country for audiovisual improvised collaboration. Korhan has had three residencies at STEIM (Center for research & development of instruments & tools for performers) in Amsterdam, where he studied use of sensors in music performance and instrument design. He was a guest composer at the Electronic Music Studios in Stockholm in January 2011. Korhan has seven CD releases on Gruenrekorder (Germany), Creative Sources Records (Portugal), Evil Rabbit Records (Netherlands/Germany), A.K. Müzik (Turkey) and Kukuruku Recordings (Greece) as well as several netlabel releases. He performs regularly in Europe and in the Middle East as a solo artist as well as with his projects in Germany and Holland.
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